#AuthorFail is a new column at BigOther. For the details on how to submit, check here. The column looks for instances that bury achievement and redemption and genius and artistic growth and special-ness beneath the crushing failure that often constitutes the material experience of art making and so runs counter to the individual myth(s) which [...]
Posts Tagged ‘Leonardo DiCaprio’
#AuthorFail 1: Mark Spitzer
Posted in Uncategorized, tagged #AuthorFail, After the Orange Glow, Ahadada, Animal Planet, Arthur Rimbaud, Black Heron, Blaise Cendrars, Bottom Feeder, Charles Bukowski, CHODE!, Chum, City Lights, Ecco Press, Exquisite Corpse, Four Walls Eight Windows, Georges Bataille, Jean Genet, Leonardo DiCaprio, Louis-Ferdinand CĂ©line, Mark Spitzer, Monkey Puzzle, Monkey Puzzle Press, Polemic Press, Riding the Unit, River Monsters, Season of the Gar, Seven Stories, Six Gallery Press, Spuyten Duyvil; Age of the Demon Tools, The Genet Translations, The Pigs Drink from Infinity, Toad Suck Review, UNO Press, Writer in Residence on June 6, 2011 | 5 Comments »
More on Inception: Shot Economy and 1 + 1 = 1
Posted in Uncategorized, tagged Ace in the Hole, average shot length, Barry Salt, Billy Wilder, Blue Velvet, Christopher Nolan, cinemetrics, David Bordwell, David Lynch, dĂ©tournement, Edgar Wright, Ellen Page, Eraserhead, George Lucas, Inception, Jane Campion, Kirk Douglas, Kristin Thompson, L.A. Story, Leonardo DiCaprio, Martin Scorsese, Michelangelo Antonioni, Nouvelle Vague, One Plus One, Peter Jackson, Sam Shepard, Scott Pilgrim vs. the World, Shutter Island, Situationist International, Sympathy for the Devil, The Lord of the Rings, The Portrait of a Lady, The Rolling Stones, Thelma Schoonmaker, Viktor Shklovsky, Zabriskie Point on October 4, 2010 | 12 Comments »
Some good questions came up in the comments section of my lengthy Inception critique (“Seventeen Ways of Criticizing Inception“), and I thought it made the most sense to respond to them with a new post. So let’s wade back into Limbo, shall we…
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