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Posts Tagged ‘Kathy Acker’

“It never ceases to startle me that a brilliant thinker can be such a bad writer. It challenges some of my preconceptions about language and thought.”—Rob Horning, “Exhaustion of generic raw material” Frank Hinton would be the first to tell you that I adore Steve Roggenbuck. Not only did his star rise as fast as [...]

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Paul Simon was making One Trick Pony. Art Garfunkel was starring in Nicolas Roeg’s Bad Timing.

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Sometimes a vagina can be more than a vagina. Sometimes it can be freedom. The ever-vigilant Nick Mamatas shared the URL for this new book on Facebook. Yes, it’s Vagina Rebel, by Adam Ash, whose other 2011 work is a poetry book called Suck My Poem. These both appear to be self-published affairs. The tag [...]

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1. My father, who once trained as a baker, taught me when I was a kid how to bake an apple pie. I don’t know where he got the original recipe from; I highly doubt that he invented it. Certainly he didn’t invent the idea of baking pies. And he didn’t invent the idea of [...]

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Here’s the rest of the essay….was coming in smaller bits, but now an explosion. (1-2/53) (3-6/53) (7-10/53) (11-17/53) (18-22/53) 23.    Despite any recourse to the nuanced heteroglossia of an Acker novel (available even to the casual, and perhaps dismissive, reader), part of the contrapuntal allure of her texts remains the difficulty in deciphering the [...]

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Earlier: (1-2/53) (3-6/53) (7-11/53) 11. From Acker’s Blood and Guts in High School (1978): “The plants in her room cast strange, beautiful shadows over the other shadows.  It was a clean, dreamlike room.  He fucked her in her asshole cause the infection made her cunt hurt too much to fuck there, though she didn’t tell [...]

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Earlier: The Post-Post-Modern Things: Björk, Kathy Acker, and the Astral-Disappearing Act (1-2/53) The Post-Post-Modern Things: Björk, Kathy Acker, and the Astral-Disappearing Act (3-6/53) 7. And so become blinded by the arrival of Kathy Acker, deceased “punk” novelist whose three decades of work “puts in its place a universe of shameless, playful freakery,”[1] a writer who matches “guts [...]

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1. ‘All I know is that we have to reach this consumer construct.  And her name’s BJÖRK.’ ‘That’s a nice name. Who is she?’ 2. Perhaps the answer can be found on Björk’s Homogenic record (1997), a collection of lush orchestral soundscapes and tenuous, artificial symmetries cut through a drum ‘n’ bass mix.  The photograph [...]

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Do you ever catch on a sentence while reading, one that no matter how many times you reread it, you just can’t derive any meaning from it, it sort-of remains more or less completely… algebraic, but instead of reading ahead to something that does resonate, you keep reading the sentence, over and over, hoping to [...]

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