[Last weekend, while en route to Abu Dhabi, my good friend Jeremy swung by my cold-water Chicago flat. After a lengthy Indian-wrestling match, we headed downtown to the AMC River East 21, where we caught a screening of Duncan Jones’s latest film, Source Code. Two hours later, expelled into the brisk April evening, we hunkered [...]
Posts Tagged ‘John Boorman’
A D & Jeremy Talk about Movies: Source Code, Friends, Woody Allen, The Man from London, Sucker Punch, Zardoz, Tron, Willow, and Shoot ‘Em Up
Posted in Uncategorized, tagged A D & Jeremy Talk about Movies, A D Jameson, AMC River East 21, Applebee's, Avatar, Bass/Rankin, Béla Tarr, Chad and Jeremy, Cindy Morgan, cinema, cineplexes, Duncan Jones, Eastern Promises, Elliot Gould, film distribution, films, Fox & Obel, Friends (TV show), Hollywood, James Bell, Jeremy M. Davies, Jim Jarmusch, Joel Schumacher, John Boorman, Jonathan Rosenbaum, Justin, Legend (film), Marshall McLuhan, Monica Bellucci, movies, narrative, Nth Man: The Ultimate Ninja, Sherlock Holmes, Shoji Ueda, Shoot ‘Em Up, Sight and Sound, Source Code, Sucker Punch, Television, The Last Unicorn, The Man from London, The NeverEnding Story, Thor, Tilda Swinton, To the Bracken Fields, Tron, Tron Legacy, Warebi no kou, Wendy Carlos, Willow, Woody Allen, Zack Snyder, Zardoz on May 16, 2011 | 16 Comments »
Arthur Penn’s Night Moves
Posted in Uncategorized, tagged Annie Hall, Arthur Penn, Éric Rohmer, Billy Wilder, Bonnie and Clyde, Days of Heaven, Don't Look Now, Ernst Lubitsch, Francis Ford Coppola, Gene Hackman, John Boorman, Jonathan Rosenbaum, Melanie Griffith, My Night at Maud's, Nicolas Roeg, Night Moves, Point Blank, Robert Altman, Roger Ebert, Ross Macdonald, The Conversation, The Long Goodbye, The New Hollywood, Wes Anderson, William Wyler on September 30, 2010 | 10 Comments »
Well, Arthur Penn died. He was of course a great director. And of course everyone will be talking about how great Bonnie and Clyde (1967) is—and it is great. It’s one of the most important of American films; along with John Boorman’s Point Blank (1967), it essentially kick-started 1970s cinema, and that decade’s auteur-driven New [...]