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Posts Tagged ‘Jim Morrison’

An Interview with Yuriy Tarnawsky, Part 3

Posted in Uncategorized, tagged Alberto Giacometti, American Book Review, Backus-Naur notation, Bruce Borowsky, Civil Coping Mechanisms, Dmytro Burago Publishing, Eckhard Gerdes, exercises, Heuristic Poetry, Homer, I Don't Know, Innocent in Paris, Jim Morrison, Journal of Experimental Fiction, Like Blood in Water, linguistics, Ludwig Wittgenstein, mad hatters' review, Meningitis, mininovel, Modus Tollens, Polish notation, Roads, Rodovid, Running Barefoot Home and Back, Sadness, Samuel Beckett, Seven Tries, Short Tails, Steven Moore, syntax, The Beatles, The Hypocrite, The Placebo Effect, The Trip South, Three Blondes and Death, Ukrainian Dumy, View of Delft, Without Spain, Yuriy Tarnawsky on April 25, 2011 | 5 Comments »

Part 1 | Part 2 [Please note that I've updated both of these posts with photos that Yuriy sent me.] I’d like to ask a few more questions about Three Blondes and Death, if you don’t mind. Perhaps the most memorable and complicated aspect of that novel is its syntax. I’ll quote a short passage [...]

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My Four Favorite New Books of 2009, #2: Ulrich Haarbürste’s Novel of Roy Orbison in Clingfilm

Posted in Uncategorized, tagged cliffhangers, cling-film, Jim Morrison, Michael Kelly, ne'er-do-wells, Roy Orbison, spies, terrapins, Ulrich Haarbürste, Ulrich Haarbürste's Novel of Roy Orbison in Cling-film, villains, Yul Brynner on December 17, 2009 | 6 Comments »

#1 | #3 | #4 #2. Ulrich Haarbürste’s Novel of Roy Orbison in Clingfilm by Ulrich Haarbürste (Serapion Books, 2008)

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BIG OTHER

Posts Tagged ‘Jim Morrison’

An Interview with Yuriy Tarnawsky, Part 3

My Four Favorite New Books of 2009, #2: Ulrich Haarbürste’s Novel of Roy Orbison in Clingfilm

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