Jen Bervin « BIG OTHER

Posts Tagged ‘Jen Bervin’

Art as Inheritance, part 2: Making New Art Appear as Old Text Disappears (as if by Magic!)

Posted in Uncategorized, tagged Jen Bervin, Surrealism, Magic: The Gathering, Donald Barthelme, The New Yorker, Pablo Picasso, Cubism, Donald Sutherland, Oulipo, Tom Phillips, found poetry, William Burroughs, Wolf Vostell, Adam Parrish, Austin Kleon, Lillte Murders, décollage, Geek System, A Human Document, W.H. Mallock, haikuization, Léo Malet, collage, Georges Braque, Fluxus, Raymond Queneau, Nets (2004), Nouveau Réalisme, John A. Walker, Raymond Hains, Jacques de la Villeglé, cut-up technique, Brion Gysin, Ugly Duckling Presse, Newspaper Blackout, MoCA, Francois Dufrêne, Mimmo Rotella, Alberti Moretti, Beat Hotel, Warren F. Motte, NPR Morning Edition, Wall Street Journal, PBS NewsHour, Marshall McLuhan, Deirdre Foley-Mendelssohn on May 10, 2011 | 13 Comments »

A friend recently alerted me to a post at Geek System (“Found Poetry in Magic: The Gathering Cards”): a fellow named Adam Parrish made some short poems by blacking out selected text on Magic cards: You can find more of Parrish’s poems here. He says of them, “[s]ome of these turned out well, some not [...]

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The Dominant and the Longue Durée

Posted in Uncategorized, tagged Annales School, Ben Marcus, Bob Perelman, Brian McHale, Brom, Dick Tracy, fantasy, Fernand Braudel, Frank Frazetta, Jen Bervin, Ken Edwards, Language poetry, longue durée, Modernism, opera, parataxis, postmodernism, Roman Jakobson, Romanticism, Ron Silliman, Shakespeare, Shrek, sonnet, Stephen Moore, the dominant, The Lord of the Rings, The New Sentence, Ulysses, Wordsworth, Yury Tynyanov, Yvor Winters on March 6, 2010 | 23 Comments »

It’s a very familiar story: Romanticism began in 1798 and ended in 1900, when it was replaced by Modernism. …Although maybe it wasn’t replaced until 1901; it must have taken a while back then, in those days before cellular phones and email, to “get the memo,” as we say today. How long did it really [...]

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Shakespeare’s Sonnets in Morse Code

Posted in Uncategorized, tagged Appropriation, Jen Bervin, Morse Code, NETS, Shakespeare on October 13, 2009 | Leave a Comment »

Check out this site where the Bard’s sonnets are reduced to strings of digital bits. Here’s a description of the project: Here are Shakespear’s [sic] Sonnets in morse code at 7, 13 and 20 words per minute. I created them to help me practice for my General Class amateur radio (Ham Radio) license. I found [...]

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Posts Tagged ‘Jen Bervin’

Art as Inheritance, part 2: Making New Art Appear as Old Text Disappears (as if by Magic!)

The Dominant and the Longue Durée

Shakespeare’s Sonnets in Morse Code

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