This is the start of an ongoing series, in which I’ll examine two long-running interests of mine: 1) the concept of the art movement (and related issues like “scenes” and “the zeitgeist”), and 2) how the culture-at-large is not all that homogeneous, but rather braided together from numerous different subcultures, each following their own individual [...]
Posts Tagged ‘Interpol’
Looking at Movements, part 1: The Post-Punk Revival
Posted in Uncategorized, tagged Wes Anderson, The Decemberists, Danielson, Minimalism, Alexander Rodchenko, Constructivism, Interpol, Dziga Vertov, Floria Sigismondi, Kraftwerk, The Killers, The Chameleons, The Ramones, The Strokes, Tom Petty, Bloc Party, Franz Ferdinand, Roman Coppola, Uwe Flade, Glenn Branca, El Lissitzky, Lilya Brik, Orange Juice, The Fire Engines, Josef K, New Wave, New Order, Post-Punk Revival, Ian Curtis, Mark Burgess, Paul Banks, Carlos Dengler, Joy Division, The Life Aquatic with Steve Zissou, Suede, Television, Gang of Four, Jonas Odell, Tom Petty and the Heartbreakers, Britpop on September 22, 2010 | 8 Comments »
Brevity, part 7: Slow Motion
Posted in Uncategorized, tagged Andrew & Lana Wachowski, Andy Warhol, Arthur Penn, Blake Edwards, Brian De Palma, Bullet-Time, David Lynch, Douglas Gordon, Dziga Vertov, Eadweard Muybridge, Erik Satie, Godfrey Reggio, Interpol, Jean Cocteau, Jean Luc Godard, Jean Vigo, John Woo, Joseph Cornell, Kar Wai Wong, Kenneth Anger, Martin Scorsese, Maya Deren, overcranking, Pixies, René Clair, Rouben Mamoulian, Sam Peckinpah, slow motion, Stanley Kubrick, Tim Macmillan, Time-Slice, undercranking, Velouria, Wes Anderson, Zack Snyder, zoopraxiscope on March 9, 2010 | 10 Comments »
Note: This post is partly a reply to a question someone asked me, back-channel, about slow motion, but also partly due to my general interest in how time works in narrative, and in brevity and stasis (and “the ongoing”). Slow motion is created by presenting film footage at a slower rate than it was shot [...]
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- Purity of Essence on THE SOT-WEED FACTOR, A Duet: Part II; in which we discuss foundlings and feminists, the exhaustion of forms, Twin Peaks, and how literature can’t compensate for a lack of toilet paper.
