[This can be considered a response to this post, and its comments thread.] 1. You’ve just become the fiction editor of a small journal. You open your email and see that you’ve received 1,000 unsolicited submissions. The first ten were sent by: Carlos Shirley Jeanne Goss Jack Livingston Christine Stribling Melissa Mathieu Benjamin Tatro Tao [...]
Posts Tagged ‘Hollis Frampton’
Seventeen Ways of Criticizing Inception (AKA, All Knowledge Isn’t Equal)
Posted in Uncategorized, tagged "Can Negative Publicity Help?", Against Interpretation, Alain Resnais, Alain Robbe-Grillet, Alan T. Sorensen, Annette Atkins, Ari Up, Banksy, Batman, Britney Spears, David Bordwell, Down with Love, Film Art, Frank Kermode, Frank Miller, Greg Gerke, Harry Mathews, Hollis Frampton, Inception, Jack Horkheimer, James Peterson, Jean Luc Godard, Jeremy M. Davies, Jonah Berger, Kristin Thompson, Last Year at Marienbad, Mai 68, mnemonics, Peter Wyngarde, Peyton Reed, Rose Alley, Scott J. Rasmussen, Scott Pilgrim vs. the World, Steve Katz, Susan Sontag, Tao Lin, teaching history backwards, The Sense of an Ending, Zorn's Lemma on November 14, 2010 | 10 Comments »
Experimental Fiction as Genre and as Principle
Posted in Uncategorized, tagged Andy Warhol, Bruce Conner, Bubsy Berkeley, Carolee Schneemann, Christopher Higgs, Edwin S. Porter, Ernie Gehr, experimental fiction, experimental film, Harry Smith, Hollis Frampton, Howard Hawks, Jack Smith, James Sibley Watson, Jonas Mekas, Joseph Cornell, Kenneth Anger, La Gioconda, Lescaux, Lois Weber, Mary Ellen Bute, Maya Deren, Melville Webber, Michael Snow, Nathaniel Dorsky, P. Adams Sitney, Paul Sharits, Robert Flaherty, Roundhay Garden Scene, Shirley Clarke, Stan Brakhage, The Night of the Hunter, The Spectator, Theodor Adorno, Viktor Shklovsky, Yoko Ono on February 3, 2010 | 56 Comments »
Christopher Higgs at HTMLGIANT recently posted this question: “If you were teaching a class on American experimental fiction, what texts would you choose, and why?” He went on to list a set of possible books for an “Introduction to American Experimental Fiction” course: Ishmael Reed – Mumbo Jumbo William S. Burroughs – The Soft Machine [...]
Brevity, Part 2: Long Takes
Posted in Uncategorized, tagged A Clockwork Orange, Aleksandr Sokurov, Alfred Hitchcock, André Bazin, Andrei Tarkovsky, Andy Warhol, Anthony Burgess, Béla Tarr, Bullets Over Broadway, cinema, Colossal Youth, Conversazioni in Sicilia, Criterion Collection, Danièle Huillet's, Edie Sedgwick, Elio Vittorini, Funny Games, Goodbye Dragon Inn, Hollis Frampton, Hou Hsiao-hsien, Jack Warden, Jean-Marie Straub, Jennifer Tilly, Joe Viterelli, John Cusack, Kuei-Mei Yang, Landscapes in the Mist, long take, Michael Haneke, Michael Snow, Michelangelo Antonioni, Miklós Jancsó, My Life as McDull, Nostalghia, Orson Welles, Pedro Costa, Peter Jackson, Red Psalm, Robert Altman, Rope, Russian Ark, Sean Astin, Shiang-chyi Chen, Sicilia!, Stalker, Stanley Kubrick, The Hole, The Lord of the Rings, The Mirror, The Passenger, The Player, The Shining, Theodoros Angelopoulos, Three Times, Toe Yuen, Touch of Evil, Trilogy The Weeping Meadow, Tsai Ming-Liang, Vinyl, Wavelength, Werckmeister Harmonies, Woody Allen on January 8, 2010 | 24 Comments »
Some of us have been discussing long takes in movies, and John mentioned that he’d like seeing a list of films that consist primarily of the beautiful things. So here is a start at such a list. (And here is another one, which like this list embeds many YouTube clips, such as the magnificent opening [...]
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