John recently stripped this site of its “Features” tab, where I was steadily and secretly stockpiling links to feature films that are up in their entirety at YouTube. So maybe I’ll just start embedding them on the main page? One every Friday?
This week’s film will be:
[You want to read the earlier installments, and we want to help you: Part 1, Part 2]
[Drumming our fingers on the tabletop, humming along to Debbie Gibson, we contemplated just walking out on our waitress, when Jeremy remembered a Payday he had in his pocket. Passing it back and forth, we resumed our conversation.]
Jeremy: All this work, and still no appetizers. So we might as well talk about Kenneth Branagh, as this feeling of weary emptiness reminds me so much of his films …
A D: I remember adoring his Dead Again. I saw it on VHS, not too long after it came out. I had to pause it halfway through, I got so excited. I was, I think, all of sixteen.
I’ve been doing some research into reverse chronology (for the follow-up to my post “From ‘Doom House’ to ‘Mood House'”), and I thought I’d compile the results here.
Reverse chronology is probably as old as narration itself. Once one has the idea of telling a story forward, it’s a simple enough matter to tell it backwards:
There was an old lady who swallowed a cow.
I don’t know how she swallowed a cow!
She swallowed the cow to catch the goat…
She swallowed the goat to catch the dog…
She swallowed the dog to catch the cat…
She swallowed the cat to catch the bird …
She swallowed the bird to catch the spider
That wiggled and wiggled and tickled inside her.
She swallowed the spider to catch the fly.
But I dunno why she swallowed that fly
Perhaps she’ll die.
How far back does this idea go?