Anima Mundi is Latin for “the shortest Godfrey Reggio / Philip Glass collaboration”—the third of their four “musical nature documentaries.” (The others are the Hopi-titled Koyaanisqatsi, 1982, Powaqqatsi, 1989, and Naqoyqatsi, 2002—although the less said about that last one, the better.) Reggio and Glass also sometimes get assigned Baraka (1992) but, beyond clearly inspiring it, [...]
Posts Tagged ‘Godfrey Reggio’
Brevity, part 7: Slow Motion
Posted in Uncategorized, tagged Andrew & Lana Wachowski, Andy Warhol, Arthur Penn, Blake Edwards, Brian De Palma, Bullet-Time, David Lynch, Douglas Gordon, Dziga Vertov, Eadweard Muybridge, Erik Satie, Godfrey Reggio, Interpol, Jean Cocteau, Jean Luc Godard, Jean Vigo, John Woo, Joseph Cornell, Kar Wai Wong, Kenneth Anger, Martin Scorsese, Maya Deren, overcranking, Pixies, René Clair, Rouben Mamoulian, Sam Peckinpah, slow motion, Stanley Kubrick, Tim Macmillan, Time-Slice, undercranking, Velouria, Wes Anderson, Zack Snyder, zoopraxiscope on March 9, 2010 | 10 Comments »
Note: This post is partly a reply to a question someone asked me, back-channel, about slow motion, but also partly due to my general interest in how time works in narrative, and in brevity and stasis (and “the ongoing”). Slow motion is created by presenting film footage at a slower rate than it was shot [...]
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