Having read Northrop Frye’s The Anatomy of Criticism earlier this year (see discussions here, here, and here – more to come), I’ve now started reading Frank Kermode’s The Sense of an Ending. I think I incline more to the Kermode than the Frye, partly because I like Kermode’s waspishness but also because his views seem [...]
Posts Tagged ‘Frank Kermode’
Radically unchangeable gestures
Posted in Uncategorized, tagged Frank Kermode, Gregory Feeley, Northrop Frye on November 13, 2011 | 3 Comments »
Book Hunting in San Francisco: Wallace, Wallace Stevens
Posted in Uncategorized, tagged Ardvark Books, Brief Interviews with Hideous Men, Christine Schutt, Community Thrift Store, Cormac McCarthy, David Foster Wallace, Frank Kermode, Henry James, Home Land, John Hawkes, Nightwork, Paul Valery, Sam Lipstye, San Francisco, The Collected Works of Paul Valery, The Crossing, The Quarterly, The Wings of the Dove, The World within the Word, Travesty, Wallace Stevens, William H. Gass on August 7, 2011 | 2 Comments »
I love San Francisco. Especially the book stores and thrift stores. The Community Thrift Store in the Mission has been a goldmine for me the last six years and each time I come here I check in and check out with jewels for about $1.50 each. I remember going there and finding the first six [...]
Seventeen Ways of Criticizing Inception (AKA, All Knowledge Isn’t Equal)
Posted in Uncategorized, tagged "Can Negative Publicity Help?", Against Interpretation, Alain Resnais, Alain Robbe-Grillet, Alan T. Sorensen, Annette Atkins, Ari Up, Banksy, Batman, Britney Spears, David Bordwell, Down with Love, Film Art, Frank Kermode, Frank Miller, Greg Gerke, Harry Mathews, Hollis Frampton, Inception, Jack Horkheimer, James Peterson, Jean Luc Godard, Jeremy M. Davies, Jonah Berger, Kristin Thompson, Last Year at Marienbad, Mai 68, mnemonics, Peter Wyngarde, Peyton Reed, Rose Alley, Scott J. Rasmussen, Scott Pilgrim vs. the World, Steve Katz, Susan Sontag, Tao Lin, teaching history backwards, The Sense of an Ending, Zorn's Lemma on November 14, 2010 | 10 Comments »
[This can be considered a response to this post, and its comments thread.] 1. You’ve just become the fiction editor of a small journal. You open your email and see that you’ve received 1,000 unsolicited submissions. The first ten were sent by: Carlos Shirley Jeanne Goss Jack Livingston Christine Stribling Melissa Mathieu Benjamin Tatro Tao [...]
Reading Frank Miller’s Batman: The Dark Knight Returns, part 6
Posted in Uncategorized, tagged apocalypse, Batman, Batman XXX, Corto Maltese, Frank Kermode, Frank Miller, Lynn Varley, nuclear winter, Superman, The Dark Knight Returns, The Sense of an Ending, Theory of Prose, Viktor Shklovsky, Vivid Entertainment on June 28, 2010 | 14 Comments »
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 7 | Part 8 Greetings again after much too long a while. Since the last installment in this series, the new pornographers at Vivid have announced, written, shot, and released Batman XXX: A Porn Parody, so it’s well past [...]
What Is Experimental Art?
Posted in Uncategorized, tagged Alec Empire, Arnold Schönberg, avant-garde, Diego Velázquez, Edgar Degas, Edouard Manet, experimental art, Frank Kermode, Ghost in the Shell, Harry Potter, Henri de Saint-Simon, Impressionism, innovation, J.K. Rowling, James Peterson, John Cage, La Monte Young, Ludwig Wittgenstein, Matei Călinescu, Minimalism, Olinde Rodrigues, outsider art, Philip Glass, Roman Jakobson, Salon des Refusés, serialist music, Stan Brakhage, Steve Reich, Terry Riley, the dominant, The Matrix, Titian, Wachowski on March 12, 2010 | 12 Comments »
One typically hears unusual art called three different things, often interchangeably: Innovative Avant-Garde Experimental But what do these three words mean? Do they mean the same thing? I don’t think so, and in this post I’ll point out some basic differences between them. I’ll also define what I think experimental art essentially is, and how [...]
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