It’s Bradford Morrow’s birthday, today, and so I decided to spend the day reading The Uninnocent, his collection of gothic fictions, a book limning life’s many shadows, whether caused by illness, madness, pain, loss, or death.
Brian Allen Carr’s collection of stories, Short Bus (Texas Review Press), is dedicated to the memory of William Patrick Carr (1977-2000). I rarely start a review, or consideration of a book with the dedication, but it seems apt to do so with this enormously sorrowful, beautiful collection of stories. I’ve yet to meet a human being who hasn’t suffered, usually tremendously, a horrible loss at some point in their lives. But not everyone can or will turn that loss into art. Carr does just that and more. This does not mean his work is entirely autobiographical, but Carr knows from where he writes.
Most urgent, moving writing is born out of suffering and tragedy. But it can also be funny, even hilarious, even if underlying that humor is a felt darkness and raw pain. And in suffering, moments of grace are even more evident, unexpected, and not taken for granted. Continue reading
“You suffer The Lime Twig like a dream. It seems to be something that is happening to you, that you want to escape from but can’t.”
- Flannery O’Connor
The stakes get raised again. After reading John Hawkes’s The Lime Twig I’m of a mind with Louise Glück lines from “Mock Orange”:
And ‘odor’ is a very apt word. I’ve never read a book where there were so many scents, so much olfactory maneuvering. Here the narrator speaks of the femme fatales sent to distract the married Michael Banks:
The smell of women–girlish, matronly–and the smell of meat sauce were the same. As soon as it spread across his plate it went to his nostrils and they might not have bothered with their clothes, with procrastination. (150)