Besides being totally charming, the above clip’s worth watching for its lesson in narrative economy. (I just showed my girlfriend Heaven Can Wait (1943), so Lubitsch and his storytelling mastery is much on my mind.)
Posts Tagged ‘Billy Wilder’
Billy Wilder on “The Lubitsch Touch”
Posted in Uncategorized, tagged Billy Wilder, cinema, Ernst Lubitsch, narrative, The Lubitsch Touch on July 31, 2011 | 1 Comment »
Marilyn Monroe Comes to Chicago, 23 Skidoo
Posted in Uncategorized, tagged American Gothic, Billy Wilder, Chicago, Cows on Parade, Curtis White, Daniel Burnham, Daniel Edwards, David Lynch, Diego Rivera, Edwin S. Porter, Flatiron Building, Forever Marilyn, Grant Wood, Jean Baptiste Pointe du Sable, Jeff Koons, kitsch, Lee Lawrie, Man at the Crossroads, Marilyn Monroe, Pioneer Court, Rockefeller Center, Seward Johnson, The Seven Year Itch, Twenty-three Skidoo, What Happened on 23rd Street New York City on July 20, 2011 | 3 Comments »
So now there’s a giant statue of Marilyn Monroe standing by Tribune Tower, on Michigan Ave: Describing it, the Chicago Tribune writes: Marilyn Monroe, as a 26-foot-tall statue in her famous subway-grate stance from “The Seven Year Itch” pose [sic]. Dubbed Forever Marilyn, the sculpture by New Jersey-based artist Seward Johnson will live in Pioneer [...]
Arthur Penn’s Night Moves
Posted in Uncategorized, tagged Robert Altman, Don't Look Now, Nicolas Roeg, Wes Anderson, Bonnie and Clyde, Arthur Penn, Night Moves, Roger Ebert, The Long Goodbye, Point Blank, Days of Heaven, Annie Hall, John Boorman, Gene Hackman, Éric Rohmer, My Night at Maud's, Melanie Griffith, The Conversation, William Wyler, Ernst Lubitsch, Billy Wilder, The New Hollywood, Jonathan Rosenbaum, Ross Macdonald, Francis Ford Coppola on September 30, 2010 | 10 Comments »
Well, Arthur Penn died. He was of course a great director. And of course everyone will be talking about how great Bonnie and Clyde (1967) is—and it is great. It’s one of the most important of American films; along with John Boorman’s Point Blank (1967), it essentially kick-started 1970s cinema, and that decade’s auteur-driven New [...]
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