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Two texts are now sitting on my desk.  They are still and inert — like rectangular paperweights.  I would like to activate them, to mingle their pages.  I would like to set them, if only momentarily, into motion. * The first text in front of me is a little gem of a book: Paul Scheerbart’s The Perpetual Motion [...]

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[Last weekend, while en route to Abu Dhabi, my good friend Jeremy swung by my cold-water Chicago flat. After a lengthy Indian-wrestling match, we headed downtown to the AMC River East 21, where we caught a screening of Duncan Jones’s latest film, Source Code. Two hours later, expelled into the brisk April evening, we hunkered [...]

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If one ever wondered what happened to the guys in high school who sat around reading philosophy and fancying posey, From Old Notebooks (Blaze Vox) gives a good facsimile of what their life might be like in their thirties, married with children and living in the work-a-day world. If the character of Evan Lavender-Smith in the novel, created by Evan Lavender-Smith [...]

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Since Sunday night I’ve planned to write a scathing post about the Golden Globes, a once “renegade” award platform, that gets a little closer to being Oscar Jr. every year. But now it’s Wednesday, and Sunday seems like forever ago, and people probably don’t care. Instead of going into depth I’m going to complain about [...]

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While writing my previous post, I grew aware that I wasn’t mentioning any women filmmakers. So I’d like to add something addressing that (because of course one can find numerous examples). And along the way, I’ll also try to say more in general about the power—and limitations—of the long take.

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