Last week, as I was picking up some films from the library of my alma mater, the University of New Hampshire, I stumbled onto their small but feisty exhibition on pop-up books (running through Dec. 15th, should you find yourself there). I wasn’t sure what to expect, but it definitely wasn’t the first thing that [...]
Posts Tagged ‘Andy Warhol’
Pop-up Books: An Homage
Posted in Uncategorized, tagged Andy Warhol, Blake Butler, Bradford Morrow, Elvis, Gary Lutz, MC Escher, Pop-up books, Rick Moody on November 14, 2011 | 3 Comments »
Gunpowder, urine, & the post-production of the long poem
Posted in Uncategorized, tagged "Composition as Explanation", "The Philosophy of Composition", Andy Warhol, chapbook, Delete Press, Edgar Alan Poe, Gertrude Stein, gunpowder, Oxidation Paintings, The Philosophy of Decomposition/Re-composition as Explanation, urine on November 4, 2011 | 3 Comments »
In “The Longing of the Long Poem,” Peter Middleton notes that long poems “resist the support institutions of poetry” since such texts, lacking the easy iterability of lyrics, are “[e]xpensive to print; tricky to handle digitally; too long to be read in their entirety at poetry readings; too big for anthologies; much too big for little magazines to [...]
The Smiths Songs You May Be Missing, part 1: “The Smiths”
Posted in Uncategorized, tagged Andy Warhol, Flesh, Jack Kerouac, Joe Dallesandro, Johnny Marr, Morrissey, Paul Morrissey, Pretty Girls Make Graves, The Dharma Bums, The Smiths on October 24, 2011 | 5 Comments »
It’s true what folks say: if you own The Queen Is Dead, Singles, and Louder Than Bombs, then you own most of “the best songs” by The Smiths (the greatest band of all time). But there are still reasons to hunt down copies of their other records—the studio albums The Smiths, Meat Is Murder, and [...]
Brevity, part 7: Slow Motion
Posted in Uncategorized, tagged Andrew & Lana Wachowski, Andy Warhol, Arthur Penn, Blake Edwards, Brian De Palma, Bullet-Time, David Lynch, Douglas Gordon, Dziga Vertov, Eadweard Muybridge, Erik Satie, Godfrey Reggio, Interpol, Jean Cocteau, Jean Luc Godard, Jean Vigo, John Woo, Joseph Cornell, Kar Wai Wong, Kenneth Anger, Martin Scorsese, Maya Deren, overcranking, Pixies, René Clair, Rouben Mamoulian, Sam Peckinpah, slow motion, Stanley Kubrick, Tim Macmillan, Time-Slice, undercranking, Velouria, Wes Anderson, Zack Snyder, zoopraxiscope on March 9, 2010 | 10 Comments »
Note: This post is partly a reply to a question someone asked me, back-channel, about slow motion, but also partly due to my general interest in how time works in narrative, and in brevity and stasis (and “the ongoing”). Slow motion is created by presenting film footage at a slower rate than it was shot [...]
Experimental Fiction as Genre and as Principle
Posted in Uncategorized, tagged Andy Warhol, Bruce Conner, Bubsy Berkeley, Carolee Schneemann, Christopher Higgs, Edwin S. Porter, Ernie Gehr, experimental fiction, experimental film, Harry Smith, Hollis Frampton, Howard Hawks, Jack Smith, James Sibley Watson, Jonas Mekas, Joseph Cornell, Kenneth Anger, La Gioconda, Lescaux, Lois Weber, Mary Ellen Bute, Maya Deren, Melville Webber, Michael Snow, Nathaniel Dorsky, P. Adams Sitney, Paul Sharits, Robert Flaherty, Roundhay Garden Scene, Shirley Clarke, Stan Brakhage, The Night of the Hunter, The Spectator, Theodor Adorno, Viktor Shklovsky, Yoko Ono on February 3, 2010 | 56 Comments »
Christopher Higgs at HTMLGIANT recently posted this question: “If you were teaching a class on American experimental fiction, what texts would you choose, and why?” He went on to list a set of possible books for an “Introduction to American Experimental Fiction” course: Ishmael Reed – Mumbo Jumbo William S. Burroughs – The Soft Machine [...]
Brevity, Part 2: Long Takes
Posted in Uncategorized, tagged A Clockwork Orange, Aleksandr Sokurov, Alfred Hitchcock, André Bazin, Andrei Tarkovsky, Andy Warhol, Anthony Burgess, Béla Tarr, Bullets Over Broadway, cinema, Colossal Youth, Conversazioni in Sicilia, Criterion Collection, Danièle Huillet's, Edie Sedgwick, Elio Vittorini, Funny Games, Goodbye Dragon Inn, Hollis Frampton, Hou Hsiao-hsien, Jack Warden, Jean-Marie Straub, Jennifer Tilly, Joe Viterelli, John Cusack, Kuei-Mei Yang, Landscapes in the Mist, long take, Michael Haneke, Michael Snow, Michelangelo Antonioni, Miklós Jancsó, My Life as McDull, Nostalghia, Orson Welles, Pedro Costa, Peter Jackson, Red Psalm, Robert Altman, Rope, Russian Ark, Sean Astin, Shiang-chyi Chen, Sicilia!, Stalker, Stanley Kubrick, The Hole, The Lord of the Rings, The Mirror, The Passenger, The Player, The Shining, Theodoros Angelopoulos, Three Times, Toe Yuen, Touch of Evil, Trilogy The Weeping Meadow, Tsai Ming-Liang, Vinyl, Wavelength, Werckmeister Harmonies, Woody Allen on January 8, 2010 | 24 Comments »
Some of us have been discussing long takes in movies, and John mentioned that he’d like seeing a list of films that consist primarily of the beautiful things. So here is a start at such a list. (And here is another one, which like this list embeds many YouTube clips, such as the magnificent opening [...]
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