Bressonmania

Bresson's final film (1983) plays at the Film Forum from Jan. 17th-19th. It was based on Tolstoy's story "The Forged Coupon." One of the greatest works of art of the 20th Century, it contains all of Michael Haneke and Lars Von Trier in it's 90-minute running time.

Still from L'Argent

The Robert Bresson Retrospective is at the Film Forum right now. But it is going to other venues in the US and Canada as well: The Bresson retrospective opens this week at Film Forum in New York; Jan. 19 at the Pacific Film Archive in Berkeley, Calif.; Jan. 20 at the Harvard Film Archive in Cambridge, Mass.; Jan. 21 at the Gene Siskel Film Center in Chicago; Jan. 31 at Bard College in Annandale-on-Hudson, N.Y.; Feb. 9 at the TIFF Cinematheque in Toronto; March 1 at the Los Angeles County Museum of Art; March 3 at the Cleveland Cinematheque and the National Gallery of Art in Washington, D.C.; March 6 at the George Eastman House in Rochester, N.Y.; March 9 at the Belcourt Theatre in Nashville; April 4 at the Pacific Cinémathèque in Vancouver, Canada; April 13 at BAM in Brooklyn, N.Y.; May 1 at Northwest Film Forum in Seattle; and May 10 at the American Cinematheque in Los Angeles. (Further venues and dates may follow.)

Salon’s Andrew O’Hehir gives a wonderful take on Bresson and at IndieWire, two illustrious critics, Jonathan Rosenbaum and Kent Jones, talk about Bresson and Godard. Rosenbaum’s great essay on Bresson: “The Last Filmmaker

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A D & Jeremy Talk about Movies: The Tree of Life

[By now it was late. The three stars were dimpling the sky. The baby raccoon was crying for its milk (I’d taken in an orphan the week before). But Jeremy and I weren’t finished yet discussing the movies we’d just watched.]

A D: You had a rather serious reaction to this one, Jeremy. Were you crying afterward?

Jeremy: Yes. Crying because I realized how much of my life I had wasted watching movies. What George Lucas did for his own franchise with the prequels, Malick did for all of cinema with The Tree of Life.

Jiminy.

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