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Archive for August, 2011

Last month, I talked with Kristina Marie Darling over email about her new book Compendium (Cow Heavy Books, 2011)—topics ranged from the Romantic fragment to mourning rituals to collaboration to erasure. Darling is also the author of the poetry collection Night Songs (Gold Wake Press, 2010).  She has been awarded fellowships from Yaddo, the Ragdale [...]

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A cute update on the classic:

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Michael Jackson released Off the Wall. Magazine released their second album, Secondhand Daylight.

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Click through to read the full review of Derek White & Carlos M. Luis’ ma(I)ze Tassel Retrazos, the twenty-second in this full-press review of Calamari books.

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In celebration of William Gass’s birthday week I have rounded up all six odes/celebrations/appreciations I have written about Gass and his work in the last year. I’ve also included an excerpt from a forthcoming essay on Gass and influence, referring to the novella “In the Heart of the Heart of the Country.” Happy 87th, dear [...]

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This past Friday was Printers’ Ball–a great annual tradition in Chicago at Columbia College put together by Poetry Foundation and Poetry magazine with the Center for Book & Paper Arts, the Chicago Underground Library, Columbia College Chicago, and MAKE magazine–under the organizational energies of Fred Sasaki. The event was covered by Amy Yee of The [...]

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Martin Scorsese was directing Raging Bull. Michael Cimino was going over budget and over schedule on Heaven’s Gate.

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A dual post by John Domini and Amber Sparks on John Barth’s The Sot-Weed Factor. Part Two: our Hero & Heroine Attempt Some Further Understanding, Distracted by Much Laughter, Astonishment, & Musing Aloud, of the NOVEL’S Next —is’t Two? is’t Three? — Hundred Pages.  JOHN: Above is my lame attempt to mimic John Barth, in [...]

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I tend to be skeptical whenever somebody recommends a writer to me, especially, for some reason, when it’s a poet being recommended; and it’s usually a contemporary, or near-one, that I am usually having foisted upon me—my perception of the dynamic here duly noted—so when a friend, who hardly reads much literature of any kind [...]

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Hello, losers. Remember those George Burns Oh, God! movies?  Richard Thomas (maybe) does. (This also calls to mind Julian Jaynes’ The Origin of Consciousness in the Breakdown of the Bicameral Mind [1976], a favorite of William S. Burroughs). Even if we can’t all quite agree with Thomas’ assessment of the “rules” of writing (I’m in [...]

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