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Archive for August, 2011

Ben Loory‘s Stories for Nighttime and Some for the Day is one of the nicest-looking, nicest-feeling books you will ever hold in your hands. But do not be fooled. The tales inside are not nice stories. Even the ones that sort of end up happily–they don’t behave and play by the rules at all. Loory’s [...]

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The shifting, the transformation, of the relationship between individual artistic components became the central issue in Formalist investigations. [...] It was the Formalist research which clearly demonstrated that shifting and change are not only historical statements (first there was A, and then A1 arose in place of A) but that shift is also a directly [...]

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CBC has a great new series that “looks into the symbiotic relationship between writers and their editors.” One of the first pairings is Ken Sparling and Jonathan Goldstein. Sparling edited Goldstein’s work and his take on the experience is here. Goldstein’s is here. Goldstein’s debut novel was Lenny Bruce is Dead. Sparling’s latest is Intention, [...]

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Welcome back, my friends, to lucky #13. My good friend and publisher, Debra Di Blasi, speaks best for herself. Go failure! **** Seems everybody has a memoir these days.  Seems I’ve been trying to have one for years.  Like an egg that won’t drop.  A stuck turd.  The opposite of purgation.  Ah, yes, shit. Indeed, [...]

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Click through to read the full review of Miranda Mellis’ THE REVISIONIST, the twenty-fifth in this full-press review of Calamari books.

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First published in 1973, two months after the military coup in Chile, Cecilia Vicuña’s SABORAMI is a document of the times and the way in which history can change art. It is filled with the urgent hope that art, too, can change history. Put together when Vicuña was just twenty-five years old, the poems, paintings, [...]

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I finally got around to seeing it, last night, and felt compelled for some reason to record my impressions. Which lie, for you should you care, right after the jump.

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[This post began as a response to some comments made by Douglas Storm on Amber's most recent post.] The name “Viktor Shklovsky” comes up a lot at this site (I’m guilty of mentioning it in perhaps half of my posts), and one might wonder why the man and his work matters. Below, I’ll try and [...]

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Already in this set of posts we’ve looked at Frank Miller’s career before The Dark Knight Returns (Parts 1 and 2), and performed close readings of that series’ respective four chapters (Parts 3, 4, 5, and 6). And the last time around, in Part 7, we examined the character of Batman both before and after [...]

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Ring the bells, sort of. Stephanie Strickland is a wonder of compelling poetic investigations. Experiencing her works–try “slippingglimpse” for a quick fix–is only slightly less exciting than having coffee with her. In either setting, she’ll offer a series of interconnections between things that appear to have no interconnection, so that rising from the table after [...]

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Click through to read the full review of Derek White’s POSTE RESTANTE, the twenty-fourth in this full-press review of Calamari books.

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As I mentioned a while back, I’m now the nonfiction and reviews editor at Requited, an online journal. My first issue as nonfiction editor went up at the beginning of July. This week, the reviews section was established, and I’m pleased to announce that the first review is up: Paul Kincaid’s take on Gregory Feeley’s [...]

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These are the days that try cinephiles’ souls, and I suppose one may give one’s penchant for hyperbole a little extra elbow room on such mornings. Suffice to say that if I had a favorite living filmmaker, Ra(o)úl Ruiz was he. The only film course I’ve ever taught was on Ruiz; I’ve proselytized for him [...]

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When people ask me why I write what I do, or read the things I do, I tend to use the word ‘mystery’ a lot. Not as in ‘gumshoe’ or ‘whodunnit. I mean, I guess, the sort of mystery that you feel in the back of your head when you watch Kubrick, or listen to [...]

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Werner Herzog released Nosferatu: Phantom der Nacht. Walter Hill released The Warriors.

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The Jam released Setting Sons. The Kinks released Low Budget.

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The B-52′s released their debut album, The B-52′s. Talking Heads, who were breaking into the mainstream, released Fear of Music.

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Litseen is the brain child of Evan Karp (who also founded the enormously popular Quiet Lightning Reading Series).  It’s a wonderful site with extensive run-downs of readings, features, as well as book reviews (and books you are invited to review). Check it out!

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Which is also to say—

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There is a wonderful article by John Latta at his blog about Marianne Moore, Gary Lutz, and their aesthetics. “…it occurs to me that the inheritor of…Moore’s lovely rhythmic sense…is Gary Lutz.”

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