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Archive for June, 2011

Recently, on Facebook, Lance Olsen mentioned that he’s in the midst of “compiling a bibliography of 100 important experimental texts for [his] in-progress Architectures of Possibility: After Innovative Writing, a book about how to imagine one’s own work as a space of opportunities.” He asks: “[W]hat are some of the texts across place & time [...]

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The Circe episode of James Joyce’s Ulysses is a jeweled phantasmagoria; and it’s filled with incredible inventories, including one where Bloom’s “bodyguard distribute[s] Maundy money, commemoration medals, loaves and fishes, temperance badges, expensive Henry Clay cigars, free cowbones for soup, rubber preservatives in sealed envelopes tied with gold thread, butter scotch, pineapple rock, billets doux [...]

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I’ve been teaching Days of Heaven on and off for a several years now, and I transcribed Linda Manz‘s voice-over narration because I couldn’t find it online anywhere. Besides being one of the most extraordinary aspects of the film, it ranks as some of the finest poetry of the past 35 years. Director Terrence Malick [...]

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Did you vote yet for your favorite in the storySouth Million Writers Award? Did you know that some of your favorite writers are up for this fabulous award for an online short story they’ve written? Like former Big Other contributor and all around fabulous lady Roxane Gay, as well as writers like Nicola Mason, Daphne [...]

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[By now it was late. The three stars were dimpling the sky. The baby raccoon was crying for its milk (I’d taken in an orphan the week before). But Jeremy and I weren’t finished yet discussing the movies we’d just watched.] A D: You had a rather serious reaction to this one, Jeremy. Were you [...]

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It’s Monday morning. The yawning gulf of your workweek stretches before you like a festering baby mouth. How long until the cold monotony of this unmatched abyss becomes heated, for a short moment, by the weekly report known in your heart of hearts as #AuthorFail? Ho! The time for failure, my cubicle-bound friend, is now. [...]

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Literary quality?

I am in the process of writing a review of a collection of dystopian stories (Brave New Worlds edited by John Joseph Adams), and there is something that is not going to make it into my review because it is really tangential to the subject, but which I still wanted to draw attention to. At [...]

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  If you happen to be in Glasgow this weekend, please check out the Human Rights Activism and Filmmaking event on Sunday, June 26, at the Glasgow Film Theatre. The event will feature multiple shorts and a panel discussion, and is part of the UK-wide Refugee Week. (Tokenization alarm bells should go off here, and [...]

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Panopticon

Reading Alexandra Harris’s curious book on Romantic Moderns, I came upon a chapter describing the attitude of high modernist architects to decoration. This is best summed up in a 1908 lecture by Adolf Loos called ‘Ornament and Crime’. As Harris puts it: ‘Decoration, he suggested, encouraged vices by concealing them; ornament was the beguiling accomplice [...]

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It’s clear that Michael Kimball’s novel, Us, recently published by Tyrant Books, has affected many writers and readers more deeply and personally than the average novel (whatever that is). I’ve read review after review of this amazing book that turns back on itself and becomes a sort of self-examination by the reviewer. I think that [...]

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James Brown, whose career was about to experience a resurgence, released The Original Disco Man. James Chance & the Contortions released their first and only album, Buy.

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My last movie talk with Jeremy (about Midnight in Paris) made me want to rank Woody Allen’s films. Jeremy of course hemmed and hawed, but over a Millirahmstrudel I broke them down into: Masterpieces Near Masterpieces Delightful Problematic Forgettable Bad Unseen Jeremy agreed to go along with this, albeit with certain objections.

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The following message comes from Christopher Newgent. I hope you’ll give it your consideration! __________ Big Car Arts Collective is in the running for a $25,000 Pepsi Refresh Grant to support our new community space here in Indy called Service Center for Contemporary Culture + Community! The top 15 projects get funded. We are in the final push at 9th [...]

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[Last weekend, en route to Madagascar, Jeremy M. Davies swung by my Chicago atelier to hear my neighbor perform Mahler’s "Quartet for Strings and Piano in A Minor" on his singing saw. Fifteen minutes in, two other friends stopped by, bearing bootleg DVDs of three new films: Midnight in Paris, The Tree of Life, and [...]

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Are you a failure? Do your loved ones turn their heads away in shame when you walk in the room or go off to “work” on your “writing”? Is the blank page better for you when it’s blank? Ok, ok, I kid. I exaggerate. So welcome, anyway, to this week’s installment of #AuthorFail.  Check here [...]

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The Great Detective

I am slowly working my way through the complete Sherlock Holmes stories, something I haven’t done for a few years. There is so much to explore in them. For instance, a post-colonial reading based on the number of adventures that have their roots in America or India; or a republican reading based on the number [...]

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MadHat Press is the non-profit imprint arm of the multimedia e-zine, Mad Hatters’ Review and a production of MadHat Arts Inc.  MadHat Press seeks to foster the work of writers and poets: explosive, lyrical, passionate, deeply wrought voices that stretch the boundaries of language, narrative and image, vital and enduring literary voices that sing on [...]

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I’ve long known that Gary Wilson was a freak (of the most beautiful variety). And I’ve long known about his influence on contemporary musicians like Beck, Ariel Pink, The Residents. But until this morning, I didn’t know about his connection with John Cage and David Tudor. From a 2008 interview with Wilson:

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Nearly two years ago, when I moved to England from California, I had a box of books shipped over from California to England. The box was full of books, some of which were my most beloved books, and some of which were books I needed to finish the novel I was writing. At the same [...]

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Hi all, I just received the following letter from Natalija Grgorinic & Ognjen Raden, and after corresponding with them a bit I will certainly be sending a few Cow Heavy titles their way, for inclusion in their exhibition and to find a permanent home afterward in a library in a country far, far away, which I [...]

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