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Archive for October, 2010

The other week a discussion opened up at HTMLGIANT, in response to Justin Taylor’s post, that raised some interesting questions about the current tone in the independent community, one that – to cop a quote from the post – “encourages people to get awestruck at the drop of a hat.” Hopping around lit sites all [...]

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Indie Lit & Net Neutrality?

Lawrence Lessig’s got an interesting review of The Social Network in the New Republic, where, after praising the film’s aesthetics and storytelling, he suggests Sorkin’s fear and incomprehension of the internet lead to a script that counteracts efforts for net neutrality. Or at least misses an opportunity to advocate for a democratic internet. It occurred [...]

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Thought 3

I was both amused and bemused to note that Jonathan Franzen’s new novel, Freedom, is rather predictably being touted as the Great American Novel. Let’s face it, we’ve all read read the Great American Novel. It was Moby Dick or it was The Great Gatsby or it was Citizen Kane or it was The Catcher [...]

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Thought 2

I’ve been taking part in an interesting, intense and at times disturbing discussion of the position of women in British science fiction, which some of you may find worth your while.

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Thought 1

Howard Jacobson has an interesting polemic about comedy in serious fiction in the Guardian. I was particularly struck by this sentence: But we have created a false division between laughter and thought, between comedy and seriousness, between the exhilaration that the great novels offer when they are at their funniest, and whatever else it is [...]

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in order to enjoy Fact-Simile’s fantastic line of poetry trading cards. They’re assembling a kind of all-star team of innovative poets and they’ve just released #9: Ron Silliman! Only a paltry 99 cents (plus shipping)…or take advantage of the 2010 subscription for 10 dollars plus s/h.  Other writers from the series include Flarfist K. Silem Mohammad, the hard-hitting [...]

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Having just finished reading Lord Weary’s Castle, Robert Lowell’s second book of poetry, a collection consisting mainly of revisions of his first book (apparently Lowell, like Walt Whitman, constantly whittled away at all of his work all of the time), I came across these lines from “The Quaker Graveyard in Nantucket”: The bones cry for [...]

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University of Illinois at Chicago. Assistant Professor, Creative Writing (Poetry), beginning Fall 2011. We are currently seeking a poet with distinguished publications (including one book, published or in press) & substantial promise as a writer & teacher. The successful candidate will also complement our existing strengths in Latino and/or African American literatures. PhD preferred. Candidates [...]

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To order send a PayPal payment of $22 for shipping and handling to polemicpress@gmail.com For orders outside the USA send $33 US!!! A few months ago, I interviewed Mark Spitzer for Big Other about his new environmental eco-criticism adventure narrative: Season of the Gar: Adventures in Pursuit of America’s Most Misunderstood Fish (U of Arkansas [...]

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    Click through for a review of 23 TEXT TILES & TRAPEZOIDAL JUGGERNAUT / SPIRITUAL TURKEY BEGGAR BASTE MECHANISM, the fifteenth & sixteenth in this full-press review series of Calamari books.  

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I’m going to do this somewhat backward, and look at No Wave before I look at New Wave. (But this whole series has been moving backward, so why stop now?) What was No Wave? As we shall see, No Wave music generally was: very noisy; extremely fast-paced, leaning toward extremely short songs; strongly influenced by [...]

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One of the keys to this book and Bresson himself is the fifth aphorism: “Metteur-en-scène, director. The point is not to direct someone, but direct oneself.” It’s a tart recrimination, less Zen-like than many that follow, but it’s pointedness portrays cinema’s great hermit. First the French term, coined by André Bazin, literally means, “scene-setter,” or [...]

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Hail the New Puritan (1987) is a feature-length film directed by Charles Atlas. The choreography is by a very young Michael Clark, who was then still the enfant terrible of the London dance scene, famous for his post-punk ballet. (He later went on to play Caliban in Peter Greenaway’s magnificent Prospero’s Books (1991); today he’s [...]

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So, not only can you salivate over Ethel Rohan’s forthcoming collection from Dark Sky Books, but you can also now step up to pre-orders of Shome Dasgupta’s I Am Here And You Are Gone from Outsider Writers Collective & Press. That’s right. Spend them dollars.

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I could not be more impressed with the web-facelift of Dark Sky. It makes other websites look tiny & sad. Plus, you can see the cover of Ethel Rohan’s forthcoming collection CUT THROUGH THE BONE. I just did. & damn. Go see this now.

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It’s rare that I see a film that doesn’t bring me pleasure, and that’s not because I’m a sucker for the movies—I’m careful.

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Some good questions came up in the comments section of my Inception post, and I thought it made the most sense to respond to them with a new post. So let’s wade back into Limbo, shall we…

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He has some good odds, but what does it mean if he wins (apart from sales and more prestige), if anything?

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I don’t write much about music, but I have been immersing myself once again in the music of Pete Atkin and Clive James, so I thought I’d break the habit this once.

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