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	<title>Comments on: The Dominant and the Longue Durée</title>
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		<title>By: &#8220;A Dozen Dominants: The Current State of US Indy Lit&#8221; &#124; HTMLGIANT</title>
		<link>http://bigother.com/2010/03/06/the-dominant-and-the-longue-duree/#comment-19500</link>
		<dc:creator><![CDATA[&#8220;A Dozen Dominants: The Current State of US Indy Lit&#8221; &#124; HTMLGIANT]]></dc:creator>
		<pubDate>Thu, 27 Oct 2011 18:41:04 +0000</pubDate>
		<guid isPermaLink="false">http://bigother.com/?p=5389#comment-19500</guid>
		<description><![CDATA[[...] &#8220;Dominant&#8221; is a term I stole from the Russian Formalists; it essentially means a feature or aspect of a text that most people feel that the text, to be valid, should demonstrate or otherwise include. (e.g., rhyme was often a dominant in English poetry until the 20th century and the advent of free verse; now the situation is mostly the opposite.) (See also this.) Below, I&#8217;ll list &#8220;my twelve&#8221; dominants, but please see the full article for a more thorough explanation&#8230; [...]]]></description>
		<content:encoded><![CDATA[<p>[...] &#8220;Dominant&#8221; is a term I stole from the Russian Formalists; it essentially means a feature or aspect of a text that most people feel that the text, to be valid, should demonstrate or otherwise include. (e.g., rhyme was often a dominant in English poetry until the 20th century and the advent of free verse; now the situation is mostly the opposite.) (See also this.) Below, I&#8217;ll list &#8220;my twelve&#8221; dominants, but please see the full article for a more thorough explanation&#8230; [...]</p>
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	<item>
		<title>By: A D &#38; Jeremy Talk about Movies: Source Code, Friends, Woody Allen, The Man from London, Sucker Punch, Zardoz, Tron, Willow, and Shoot ‘Em Up &#171; BIG OTHER</title>
		<link>http://bigother.com/2010/03/06/the-dominant-and-the-longue-duree/#comment-16055</link>
		<dc:creator><![CDATA[A D &#38; Jeremy Talk about Movies: Source Code, Friends, Woody Allen, The Man from London, Sucker Punch, Zardoz, Tron, Willow, and Shoot ‘Em Up &#171; BIG OTHER]]></dc:creator>
		<pubDate>Mon, 16 May 2011 13:00:24 +0000</pubDate>
		<guid isPermaLink="false">http://bigother.com/?p=5389#comment-16055</guid>
		<description><![CDATA[[...] Lord knows most movies these days no longer rely on plot (Hollywood films are rarely dominantly narrative [...]]]></description>
		<content:encoded><![CDATA[<p>[...] Lord knows most movies these days no longer rely on plot (Hollywood films are rarely dominantly narrative [...]</p>
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	<item>
		<title>By: A Guide to My Writing Here at Big Other &#171; BIG OTHER</title>
		<link>http://bigother.com/2010/03/06/the-dominant-and-the-longue-duree/#comment-15961</link>
		<dc:creator><![CDATA[A Guide to My Writing Here at Big Other &#171; BIG OTHER]]></dc:creator>
		<pubDate>Mon, 09 May 2011 14:09:28 +0000</pubDate>
		<guid isPermaLink="false">http://bigother.com/?p=5389#comment-15961</guid>
		<description><![CDATA[[...] The Dominant and the Longue Durée — a reading of Roman Jakobson&#8217;s essential formalist notion of &#8220;the dominant&#8221; through the French Annales School&#8217;s long view of historic progress [...]]]></description>
		<content:encoded><![CDATA[<p>[...] The Dominant and the Longue Durée — a reading of Roman Jakobson&#8217;s essential formalist notion of &#8220;the dominant&#8221; through the French Annales School&#8217;s long view of historic progress [...]</p>
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	<item>
		<title>By: What&#8217;s So New about the New Sentence? &#171; BIG OTHER</title>
		<link>http://bigother.com/2010/03/06/the-dominant-and-the-longue-duree/#comment-12534</link>
		<dc:creator><![CDATA[What&#8217;s So New about the New Sentence? &#171; BIG OTHER]]></dc:creator>
		<pubDate>Sun, 19 Dec 2010 18:00:51 +0000</pubDate>
		<guid isPermaLink="false">http://bigother.com/?p=5389#comment-12534</guid>
		<description><![CDATA[[...] preexisting influences and materials. Or: a simple shift in an artwork&#8217;s organizing dominant (to use Roman Jakobson&#8217;s term) can create something exceedingly [...]]]></description>
		<content:encoded><![CDATA[<p>[...] preexisting influences and materials. Or: a simple shift in an artwork&#8217;s organizing dominant (to use Roman Jakobson&#8217;s term) can create something exceedingly [...]</p>
]]></content:encoded>
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	<item>
		<title>By: Seventeen Ways of Criticizing Inception (aka, All Knowledge Isn&#8217;t Equal) &#171; BIG OTHER</title>
		<link>http://bigother.com/2010/03/06/the-dominant-and-the-longue-duree/#comment-11572</link>
		<dc:creator><![CDATA[Seventeen Ways of Criticizing Inception (aka, All Knowledge Isn&#8217;t Equal) &#171; BIG OTHER]]></dc:creator>
		<pubDate>Mon, 15 Nov 2010 01:48:37 +0000</pubDate>
		<guid isPermaLink="false">http://bigother.com/?p=5389#comment-11572</guid>
		<description><![CDATA[[...] The Dominant and the Longue Durée: 921 views (note that this post had an image of Shrek above the jump) [...]]]></description>
		<content:encoded><![CDATA[<p>[...] The Dominant and the Longue Durée: 921 views (note that this post had an image of Shrek above the jump) [...]</p>
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	<item>
		<title>By: Looking at Movements, part 1: The Post-Punk Revival &#171; BIG OTHER</title>
		<link>http://bigother.com/2010/03/06/the-dominant-and-the-longue-duree/#comment-10453</link>
		<dc:creator><![CDATA[Looking at Movements, part 1: The Post-Punk Revival &#171; BIG OTHER]]></dc:creator>
		<pubDate>Thu, 23 Sep 2010 03:57:04 +0000</pubDate>
		<guid isPermaLink="false">http://bigother.com/?p=5389#comment-10453</guid>
		<description><![CDATA[[...] between Franz Ferdinand and Interpol. They are both now, for one thing, and subject to the dominant pressures of our time. The above video for &#8220;Michael&#8221; sees FF dressed in matching dark [...]]]></description>
		<content:encoded><![CDATA[<p>[...] between Franz Ferdinand and Interpol. They are both now, for one thing, and subject to the dominant pressures of our time. The above video for &#8220;Michael&#8221; sees FF dressed in matching dark [...]</p>
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	</item>
	<item>
		<title>By: Throw Your Hands in the Air (The Dionysian Impulse) &#171; BIG OTHER</title>
		<link>http://bigother.com/2010/03/06/the-dominant-and-the-longue-duree/#comment-9768</link>
		<dc:creator><![CDATA[Throw Your Hands in the Air (The Dionysian Impulse) &#171; BIG OTHER]]></dc:creator>
		<pubDate>Fri, 23 Jul 2010 12:37:25 +0000</pubDate>
		<guid isPermaLink="false">http://bigother.com/?p=5389#comment-9768</guid>
		<description><![CDATA[[...] contemporary US culture, when viewed broadly, is overwhelmingly Apollonian. Apollonian ideals hold dominance over Dionysian [...]]]></description>
		<content:encoded><![CDATA[<p>[...] contemporary US culture, when viewed broadly, is overwhelmingly Apollonian. Apollonian ideals hold dominance over Dionysian [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Art as Experience &#171; BIG OTHER</title>
		<link>http://bigother.com/2010/03/06/the-dominant-and-the-longue-duree/#comment-7828</link>
		<dc:creator><![CDATA[Art as Experience &#171; BIG OTHER]]></dc:creator>
		<pubDate>Wed, 28 Apr 2010 06:24:36 +0000</pubDate>
		<guid isPermaLink="false">http://bigother.com/?p=5389#comment-7828</guid>
		<description><![CDATA[[...] comics, make children&#8217;s books, embrace the performance and conceptual movements that have become dominant in the visual [...]]]></description>
		<content:encoded><![CDATA[<p>[...] comics, make children&#8217;s books, embrace the performance and conceptual movements that have become dominant in the visual [...]</p>
]]></content:encoded>
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	<item>
		<title>By: What Is Experimental Art? &#171; BIG OTHER</title>
		<link>http://bigother.com/2010/03/06/the-dominant-and-the-longue-duree/#comment-6487</link>
		<dc:creator><![CDATA[What Is Experimental Art? &#171; BIG OTHER]]></dc:creator>
		<pubDate>Fri, 12 Mar 2010 23:52:28 +0000</pubDate>
		<guid isPermaLink="false">http://bigother.com/?p=5389#comment-6487</guid>
		<description><![CDATA[[...] to those question—I&#8217;d first like to invoke Roman Jakobson&#8217;s notion of the dominant, which I discussed more at length in this post. Jakobson defined the dominant as the focusing component of a work of art: it rules, determines, [...]]]></description>
		<content:encoded><![CDATA[<p>[...] to those question—I&#8217;d first like to invoke Roman Jakobson&#8217;s notion of the dominant, which I discussed more at length in this post. Jakobson defined the dominant as the focusing component of a work of art: it rules, determines, [...]</p>
]]></content:encoded>
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	<item>
		<title>By: A D Jameson</title>
		<link>http://bigother.com/2010/03/06/the-dominant-and-the-longue-duree/#comment-6286</link>
		<dc:creator><![CDATA[A D Jameson]]></dc:creator>
		<pubDate>Mon, 08 Mar 2010 00:14:03 +0000</pubDate>
		<guid isPermaLink="false">http://bigother.com/?p=5389#comment-6286</guid>
		<description><![CDATA[Curt, you always give me so much to read! But I&#039;ll check these things out—thanks. (You&#039;re the one who made me read Braudel in the first place, you&#039;ll recall.)]]></description>
		<content:encoded><![CDATA[<p>Curt, you always give me so much to read! But I&#8217;ll check these things out—thanks. (You&#8217;re the one who made me read Braudel in the first place, you&#8217;ll recall.)</p>
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