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Archive for February, 2010

One more week before Big Other’s 3rd contest ends. Details HERE.

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Recently I’ve been culling the blogs I look at regularly, and adding some new ones. Refining my daily internet reading to create intellectual and creative clarity. The thing I find myself anticipating most each day is a new drawing from Renee French. If you’ve never seen her work, French is THE living master of graphite [...]

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I’d like you to pause for a moment and try to imagine beginning a review with this sentence: There are 15 or 20 better poets in America than Tony Hoagland, but few deliver more pure pleasure.

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This is from Alec Soth’s blog:  It is interesting how the cover images affect our reading of the book. But equally influential is the author photograph. In discussing the under-appreciation of Alice Munro in the New York Times, Jonathan Franzen wrote, “her jacket photos show her smiling pleasantly, as if the reader were a friend, [...]

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In This Alone Review Copy

If you’d like to review In This Alone Impulse, please send me your contact info, and your proposed review outlet, and I’ll get you a copy. Thank you.

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Below is a photograph by William Eggleston that I saw on the cover of a book called ‘How to Read a Photograph’ by Ian Jeffrey.   I didn’t buy the book (it was in a museum gift shop, and I was on my way out), but I was fascinated by the image, which is beautiful [...]

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Christopher Higgs at HTMLGIANT recently posted this question: “If you were teaching a class on American experimental fiction, what texts would you choose, and why?” He went on to list a set of possible books for an “Introduction to American Experimental Fiction” course: Ishmael Reed – Mumbo Jumbo William S. Burroughs – The Soft Machine [...]

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Not Asking Questions

I am in the throes of a new story. And it’s been the most patient I’ve been with a story from inception on. Part of that is due to the intensity of the topic, etc. But that’s not really the point. As I’m getting close, or close-ish, to final revisions it has me thinking about [...]

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I can’t thank Mathias Svalina enough for introducing me to Selah Saterstrom. Her first novel, The Pink Institution (Coffee House Press, 2004), offers up such stark, spare language as to mimic the fragmented, but forever life-altering, moments in the lives of her (many generations of) women, not one of whom escapes her own special brand [...]

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Jimmy Chen is a writer.  His flash fiction, “Footnote1,” engages the mental sphere, tolls the emotional chamber, and continues to unfold despite explanation. It is one of those pieces I’ll read and re-read again.  Our interview appears after the reprint.  JA Tyler is the editor of ml press, which recently put out an anthology of [...]

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I love Joanna Ruocco

I went to school with a writer named Joanna Ruocco whose facility with language made me nervous and envious and happy. Everything she brought into workshop was wondrous and big-hearted and brilliant and funny and flawed in charmingly perfect ways. I’ve been meaning to write something about her book, The Mothering Coven, and I will [...]

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Mel Bosworth reads an excerpt from Sasha Fletcher’s forthcoming novella WHEN ALL OUR DAYS ARE NUMBERED MARCHING BANDS WILL FILL THE STREETS & WE WILL NOT HEAR THEM BECAUSE WE WILL BE UPSTAIRS IN THE CLOUDS.

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Formalists are often accused of ignoring art’s morality, as well as its other social aspects. (Of course, artists are often faced with the same accusation—hence the logic by which legislators divert money toward math and the sciences. Whatever strange thing it is that the artist contributes to the culture, it is at best of secondary [...]

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I’ve spent my last couple weeks reading short stories, novelettes, and novellas so that I can nominate for the Nebula and Hugo awards. This is my first year doing either, although I’ve been eligible to vote for the Nebulas for a couple of years now. I’ve made my nominations for short stories, novelettes, and novellas [...]

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What’s your theory?

AD Jameson commented recently that, upon encountering the literary theory of William Gass, fiction itself was opened up to him in a way it hadn’t been before. In other words, Gass’s thoughts about literature directly changed Jameson’s work. This made me wonder how many of us have had this experience, or something like it, and [...]

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Tell us…

…your top novels. Blindness, Jose Saramago, 1995 Blood Meridian, Cormac McCarthy, 1985 Desperate Characters, Paula Fox, 1970 Disgrace, J.M. Coetzee, 1999 G, John Berger, 1972 The Great Gatsby, F. Scott Fitzgerald, 1925 Housekeeping, Marilynne Robinson, 1980 Light Years, James Salter, 1975 The Rings of Saturn, W.G. Sebald, 1995 Stoner, John Williams, 1965

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Jamie Iredell is the author of Prose. Poems. a novel. Evocative, lyrical, and alternately dreamy and corporeal, Iredell’s series of vignettes knit together and form an indelible portrait of a man bumbling into some kind of enlightenment. The Rumpus published my review of the book about two months ago. I had some questions lingering in [...]

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Ryan W. Bradley has a story at Annalemma and a poem at WORK. Greg Gerke and Molly Gaudry have work in  KillAuthor. Paul Kincaid‘s review of two reworkings of tales from the Mabinogion is at Strange Horizons, and his review of The Rapture by Liz Jensen is at SF Site. John Madera reviewed John Haskell’s [...]

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There’s a brief interview with Calvin and Hobbes creator Bill Watterson in The Cleveland Plain Dealer. It’s the first he’s done since 1989. Interesting that this interview was published the week J.D. Salinger died. He doesn’t say much, but I’ve always been grateful that Watterson retired when he did. He never let himself have an [...]

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