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Archive for February, 2010

AWP in New York

While many of us are going to AWP in Denver, many more aren’t. I’m inviting any poets and writers to help me assemble a very informal event in NYC on Saturday April 10th, ideally. Having some readers, maybe one talk, but more just a gathering for writers in the area. Much is needed. Especially a [...]

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As the snow came down hard in New York City I sat with my loves listening to Van Morrison. When “Warm Love” from his 1973 album Hard Nose the Highway came on we had to hear it three more times! While I love that fragile, melancholic acoustic version, I also love this funked up performance. Imagine Van Morrison [...]

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Student registration, with a student ID at check-in, is the best deal at $40. Safari poses some difficulty; Firefox is the way to go, here.

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I’ve got quite a bit of driving to do in the days ahead, so I clicked on my handy iTunes store to see what audiobooks are available. At $35.00, on average, I was just about to give up. Until. I. Saw. LibriVox. (They have a website but I think you’re better off just looking at [...]

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Regarding “Innovation Redux” by Malachi Black and this post by Ron Silliman (which were both partially responding to something I wrote regarding innovation): I find that one of the sticking points on this subject is that “innovation” is often defined too broadly, or not defined at all. And so it’s easy for terms like “innovative [...]

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This post is about figure skaters. Is there a connection to arts and culture? Maybe kinda? If not, hopefully Mr. Madera won’t mind. Yesterday, after I posted a facebook item crying foul on Olympic figure skater Evan Lysacek’s sudden romance w/ gymnast Nastia Liukin (This USA Today piece later appeared, then People edited their headline [...]

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Mel Bosworth reads “The Mountain Road,” by Cynthia Reeser.

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Tim Jones-Yelvington will participate in this weekend’s Orange Alert reading series, co-sponsored this month by Monkeybicycle. 6:00 PM at the Whistler, 2421 North Milwaukee, Chicago. Other readers include Anne Valente, Brandon Will, Amanda Marbais, Charlie Nadler and Michael Czyzniejewski. John Madera reviewed Brian Evenson’s Baby Leg for The Collagist. Shya Scanlon has work in the [...]

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Earlier today John pointed toward Nigel Beale’s cleverly-titled criticism of my post “Tiny Shocks: Uncovering the Reductive Plot of James Wood’s How Fiction Works.” I’m looking forward to Nigel’s longer criticism; in the meantime I thought I’d reply regarding the mistakes Wood makes in his readings of Viktor Shklovsky and William H. Gass, since Nigel [...]

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Outside where I work there are two homeless people jamming. One is playing flute, the other, guitar. There’s no better backdrop for thoughts on collaboration, even if I do wish they’d quiet down and stop drowning out my music. Collaboration is, for me, a fairly foreign beast. One I appreciate and look up to, but [...]

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Overwhelmed by the kind responses to last week’s post, Hosho McCreesh is graciously offering his last two remaining author’s copies of For All These Wretched, Beautiful, & Insignificant Things So Uselessly & Carelessly Destroyed. I’m going to match those two, which means FOUR copies are up for grabs. For your chance to win a copy, please [...]

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Crap Crap, Glorious Crap

There’s a thoughtful post in the Barrelhouse blog abt the movie “Four Christmases” and making fiction “happen.” I think this is a great reflection on the kind of fiction that aims to conceal its scaffolding,  realism that seeks verisimilitude. I like this kind of writing. I also like writing aware of its own artifice. And [...]

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Nigel Beale, a “writer, broadcaster, bibliophile,” and, it appears, fan of and apologist for James Wood, insults Big Other’s contributors and commenters in a post that can be found HERE. Without a semblance of critical thinking, he calls A D Jameson’s essay, “Tiny Shocks: Uncovering the Reductive Plot of James Wood’s How Fiction Works”,  a “lengthy [...]

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Lake Forest College hosts The Madeleine P. Plonsker Emerging Writer’s Residency Prize.  The deadline for the 2011 residency–which comes with $10,000, 2-month room and board at Lake Forest, and first book publication by &NOW Books–is April 1, 2010. The genre is poetry or cross-genre, and there is NO ENTRY FEE!  That’s right. Apply! We also [...]

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Unearned

I have been coming to the conclusion lately that we learn more about how fiction does and doesn’t work from poor stories than we do from good ones. A crude first novel, for instance, can often be extraordinarily revealing about an author’s subsequent work. Gene Wolfe’s Operation Ares, for instance, is a pretty dreadful book, [...]

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This is an intro I wrote for a panel discussion that I moderated last September: “Why Do We Have Poetry Readings?”, part of the daylong Series A Mini-Conference: Conversations about Poetry, held at the Hyde Park Art Center and curated by Bill Allegrezza. I thought it might be of interest given Shya’s avant-garde post and [...]

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Is anybody following Kathleen Rooney’s situation? I felt legitimately shaken up earlier this week when I found out Kathleen (I should probably do a full disclosure thingie clarifying she’s my future publisher, right?) had been fired from her job working for Senator Durbin’s Chicago office. Without fully realizing it, I think I looked to Kathleen [...]

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Please tell them about the Juniper Summer Writing Institute at the University of Massachusetts. This is the best summer writing conference around. (I’m a little biased, to be sure, having been the program’s associate director for several years and now serving as one of its writers in residence.) It’s an incredible June week in lovely [...]

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This will be something of a long and meandering trip, only to wind up back where we started. But I can promise that along the way we’ll encounter secrets hidden behind locked doors, as well as deeds that will form the fabric of nightmares. Shall we? This is Conrad Veidt:

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