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	<title>Comments on: Tiny Shocks: Uncovering the Reductive Plot of James Wood&#8217;s How Fiction Works</title>
	<atom:link href="http://bigother.com/2010/01/31/tiny-shocks-uncovering-the-reductive-plot-of-james-woods-how-fiction-works/feed/" rel="self" type="application/rss+xml" />
	<link>http://bigother.com/2010/01/31/tiny-shocks-uncovering-the-reductive-plot-of-james-woods-how-fiction-works/</link>
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		<title>By: Viktor Shklovsky wants to make you a better writer, part 1: device &#38; defamiliarization &#124; HTMLGIANT</title>
		<link>http://bigother.com/2010/01/31/tiny-shocks-uncovering-the-reductive-plot-of-james-woods-how-fiction-works/#comment-25053</link>
		<dc:creator><![CDATA[Viktor Shklovsky wants to make you a better writer, part 1: device &#38; defamiliarization &#124; HTMLGIANT]]></dc:creator>
		<pubDate>Mon, 21 May 2012 12:02:30 +0000</pubDate>
		<guid isPermaLink="false">http://bigother.com/?p=3992#comment-25053</guid>
		<description><![CDATA[[...] is “остранение”). And this is a concept that has been much misunderstood. (Here are two examples of literary critic James Wood completely botching it; mistaking it as being akin to [...]]]></description>
		<content:encoded><![CDATA[<p>[...] is “остранение”). And this is a concept that has been much misunderstood. (Here are two examples of literary critic James Wood completely botching it; mistaking it as being akin to [...]</p>
]]></content:encoded>
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		<title>By: Franzen&#8217;s Status &#124; HTMLGIANT</title>
		<link>http://bigother.com/2010/01/31/tiny-shocks-uncovering-the-reductive-plot-of-james-woods-how-fiction-works/#comment-23472</link>
		<dc:creator><![CDATA[Franzen&#8217;s Status &#124; HTMLGIANT]]></dc:creator>
		<pubDate>Thu, 08 Mar 2012 12:01:27 +0000</pubDate>
		<guid isPermaLink="false">http://bigother.com/?p=3992#comment-23472</guid>
		<description><![CDATA[[...] offers itself irresistibly&#8221;—that&#8217;s what most appeals to readers ages 18–34. (He and James Wood should form a [...]]]></description>
		<content:encoded><![CDATA[<p>[...] offers itself irresistibly&#8221;—that&#8217;s what most appeals to readers ages 18–34. (He and James Wood should form a [...]</p>
]]></content:encoded>
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	<item>
		<title>By: Art as Inheritance, part 2: Making New Art Appear as Old Text Disappears (as if by Magic!) &#171; BIG OTHER</title>
		<link>http://bigother.com/2010/01/31/tiny-shocks-uncovering-the-reductive-plot-of-james-woods-how-fiction-works/#comment-16002</link>
		<dc:creator><![CDATA[Art as Inheritance, part 2: Making New Art Appear as Old Text Disappears (as if by Magic!) &#171; BIG OTHER]]></dc:creator>
		<pubDate>Tue, 10 May 2011 20:17:57 +0000</pubDate>
		<guid isPermaLink="false">http://bigother.com/?p=3992#comment-16002</guid>
		<description><![CDATA[[...] in  this view, collage becomes a means of realistically rendering the urban landscape. (Take that, James Wood!) In much the same spirit, John A. Walker notes that: The peeling, torn or lacerated posters found [...]]]></description>
		<content:encoded><![CDATA[<p>[...] in  this view, collage becomes a means of realistically rendering the urban landscape. (Take that, James Wood!) In much the same spirit, John A. Walker notes that: The peeling, torn or lacerated posters found [...]</p>
]]></content:encoded>
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	<item>
		<title>By: A Guide to My Writing Here at Big Other &#171; BIG OTHER</title>
		<link>http://bigother.com/2010/01/31/tiny-shocks-uncovering-the-reductive-plot-of-james-woods-how-fiction-works/#comment-15918</link>
		<dc:creator><![CDATA[A Guide to My Writing Here at Big Other &#171; BIG OTHER]]></dc:creator>
		<pubDate>Mon, 09 May 2011 14:07:42 +0000</pubDate>
		<guid isPermaLink="false">http://bigother.com/?p=3992#comment-15918</guid>
		<description><![CDATA[[...] Tiny Shocks: Uncovering the Reductive Plot of James Wood’s How Fiction Works — I reject Wood&#8217;s book&#8217;s central argument, and reveal several factual errors he makes [...]]]></description>
		<content:encoded><![CDATA[<p>[...] Tiny Shocks: Uncovering the Reductive Plot of James Wood’s How Fiction Works — I reject Wood&#8217;s book&#8217;s central argument, and reveal several factual errors he makes [...]</p>
]]></content:encoded>
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	<item>
		<title>By: Why I Hate the Avant-Garde, pt 2 &#171; BIG OTHER</title>
		<link>http://bigother.com/2010/01/31/tiny-shocks-uncovering-the-reductive-plot-of-james-woods-how-fiction-works/#comment-12822</link>
		<dc:creator><![CDATA[Why I Hate the Avant-Garde, pt 2 &#171; BIG OTHER]]></dc:creator>
		<pubDate>Tue, 04 Jan 2011 20:24:51 +0000</pubDate>
		<guid isPermaLink="false">http://bigother.com/?p=3992#comment-12822</guid>
		<description><![CDATA[[...] in other works) until it overwhelms the more familiar aspects of her artwork, distorting and enstranging the entire thing. Hence Manet and Degas exaggerated the de-emphasis of line and more energetic [...]]]></description>
		<content:encoded><![CDATA[<p>[...] in other works) until it overwhelms the more familiar aspects of her artwork, distorting and enstranging the entire thing. Hence Manet and Degas exaggerated the de-emphasis of line and more energetic [...]</p>
]]></content:encoded>
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	<item>
		<title>By: Seventeen Ways of Criticizing Inception (aka, All Knowledge Isn&#8217;t Equal) &#171; BIG OTHER</title>
		<link>http://bigother.com/2010/01/31/tiny-shocks-uncovering-the-reductive-plot-of-james-woods-how-fiction-works/#comment-11571</link>
		<dc:creator><![CDATA[Seventeen Ways of Criticizing Inception (aka, All Knowledge Isn&#8217;t Equal) &#171; BIG OTHER]]></dc:creator>
		<pubDate>Mon, 15 Nov 2010 01:48:34 +0000</pubDate>
		<guid isPermaLink="false">http://bigother.com/?p=3992#comment-11571</guid>
		<description><![CDATA[[...] Tiny Shocks: Uncovering the Reductive Plot of James Wood&#8217;s How Fiction Works: 967 views [...]]]></description>
		<content:encoded><![CDATA[<p>[...] Tiny Shocks: Uncovering the Reductive Plot of James Wood&#8217;s How Fiction Works: 967 views [...]</p>
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	<item>
		<title>By: A D Jameson</title>
		<link>http://bigother.com/2010/01/31/tiny-shocks-uncovering-the-reductive-plot-of-james-woods-how-fiction-works/#comment-10635</link>
		<dc:creator><![CDATA[A D Jameson]]></dc:creator>
		<pubDate>Sun, 10 Oct 2010 23:07:27 +0000</pubDate>
		<guid isPermaLink="false">http://bigother.com/?p=3992#comment-10635</guid>
		<description><![CDATA[Thanks for the comment! I like it, too...in my own way.

(Although I&#039;d call it a nutcracker of a book.)]]></description>
		<content:encoded><![CDATA[<p>Thanks for the comment! I like it, too&#8230;in my own way.</p>
<p>(Although I&#8217;d call it a nutcracker of a book.)</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: the hat</title>
		<link>http://bigother.com/2010/01/31/tiny-shocks-uncovering-the-reductive-plot-of-james-woods-how-fiction-works/#comment-10622</link>
		<dc:creator><![CDATA[the hat]]></dc:creator>
		<pubDate>Sat, 09 Oct 2010 21:37:33 +0000</pubDate>
		<guid isPermaLink="false">http://bigother.com/?p=3992#comment-10622</guid>
		<description><![CDATA[I think James Woods wrote a cracker of a book! I like it!]]></description>
		<content:encoded><![CDATA[<p>I think James Woods wrote a cracker of a book! I like it!</p>
]]></content:encoded>
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		<title>By: What Is Experimental Art? &#171; BIG OTHER</title>
		<link>http://bigother.com/2010/01/31/tiny-shocks-uncovering-the-reductive-plot-of-james-woods-how-fiction-works/#comment-6489</link>
		<dc:creator><![CDATA[What Is Experimental Art? &#171; BIG OTHER]]></dc:creator>
		<pubDate>Fri, 12 Mar 2010 23:52:39 +0000</pubDate>
		<guid isPermaLink="false">http://bigother.com/?p=3992#comment-6489</guid>
		<description><![CDATA[[...] in other works) until it overwhelms the more familiar aspects of her artwork, distorting and enstranging the entire thing. Hence Manet and Degas exaggerated the de-emphasis of line and more energetic [...]]]></description>
		<content:encoded><![CDATA[<p>[...] in other works) until it overwhelms the more familiar aspects of her artwork, distorting and enstranging the entire thing. Hence Manet and Degas exaggerated the de-emphasis of line and more energetic [...]</p>
]]></content:encoded>
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	<item>
		<title>By: The Dominant, ctd. &#171; BIG OTHER</title>
		<link>http://bigother.com/2010/01/31/tiny-shocks-uncovering-the-reductive-plot-of-james-woods-how-fiction-works/#comment-6253</link>
		<dc:creator><![CDATA[The Dominant, ctd. &#171; BIG OTHER]]></dc:creator>
		<pubDate>Sun, 07 Mar 2010 01:29:38 +0000</pubDate>
		<guid isPermaLink="false">http://bigother.com/?p=3992#comment-6253</guid>
		<description><![CDATA[[...] James Wood doesn&#8217;t like Harry Potter, but the writing is third-person limited and focused on image. [...]]]></description>
		<content:encoded><![CDATA[<p>[...] James Wood doesn&#8217;t like Harry Potter, but the writing is third-person limited and focused on image. [...]</p>
]]></content:encoded>
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